All posts by mangiamillie

New York City Blog Sept. 30 – Oct. 6

The Italian Cultural Institute is on Park Avenue between 68th and 69th Streets.  Passing by on Friday, I noticed that the Institute is promoting the Marche region. In one of its upstairs galleries Raphael’s The Little Saint Catherine of Alexandra stands on lonely display. Raphael was a native son of Urbino, one of the Marche’s better known cities. That’s the tourist tie in, as if we needed any excuse to gaze at a superb painting of an angelic figure. It brought home to me why I’ll always be tied to Catholicism. The art and architecture have a hypnotic spell. Recently, a Jewish friend having spent several weeks in northern Italy, jokingly said that he’d spent so much time in Italian churches that he felt half Catholic.
Since I have one foot out the Catholic door and am always on the look out for a new religion, I asked an acquaintance why he had remained a Catholic and he said it was because he liked lost causes.
A Protestant friend told me that her son had married a Catholic and agreed to raise their children as Catholics. Protestant grandmother, her Protestant son and his Catholic wife attended their seven year old son’s first holy communion. The priest announced that only  baptized Catholics could receive communion. In one stroke, he alienated the Protestant contingent and embarrassed the Catholic mother. Well done, spokesman of a dwindling church. The Protestants did something I would never have done, they took communion anyway.  I guess that’s what it means to protest. Recently, Pope Francis criticized the Catholic Church for putting dogma before love. The priest didn’t get the message.
Catholicism is polytheistic.All those saints are minor deities. My mother, a woman without hope, prayed to St. Jude, patron saint of hopeless causes. In Padua, hometown of St. Anthony,  there’s a church dedicated to him. At one of the chapels people post requests and leave offerings. The last time I was there someone had left her wedding dress.
Sant’Eustachio is a Roman church that honors a discredited saint. According to legend and to Wikipedia, prior to his conversion to Christianity, Eustace was a Roman general named Placidus, who served the emperor Trajan. While hunting a stag in Tivoli near Rome, Placidus saw a vision of a crucifix lodged between the stag’s antlers. He was immediately converted, had himself and his family baptized, and changed his name to Eustace. Like Job, Eustace suffered.
Part of Catholicism’s lure is the fairy tale + damnation quality. Anyone who loves opera, I say, is crypto-Catholic.
Church of Sant'Eustachio, Rome
Church of Sant’Eustachio, Rome

If you squint, you can see the stag with the cross between his antlers perched at the top of the church’s pediment.

New York City Blog Sept. 23 – Sept. 29

Word of the week: Esophagogastroduodenoscopy, 26 letters that spell a word that means examination of the esophagus, stomach and duodenum. It was learned while I was undergoing a procedure that is far more pleasant than the prep. I’ve spared you photographs.

Studio 5 at City Center: Damian Woetzel hosts a series that examines various aspects of dance. The series is held in a space that reminds me of a high school auditorium. It holds about 200 people. On Sept. 24 he introduced Analia Centurion and Gabriel Misse. Both are extraordinary tango dancers. They demonstrated how the tango has changed over the years. According to Mr. Misse, the 1950s were the golden age of the tango. You can’t see Ms. Centurion’s very high heels.

Gabriel Misse watches Damian Woetzel and Analia Centurion dancing
Gabriel Misse watches Damian Woetzel and Analia Centurion dancing

Damian Woetzel, Gabriel Misse, Analia Centurion
Damian Woetzel, Gabriel Misse, Analia Centurion

 

 

Off to the Met to see the Balthus show.He’s so much an artist of his time, so European, so bourgeois – even his landscapes seem interior. The artist’s focus on naked young girls gave one of my friends the creeps.

Balthus's The Cat of La Mediterranee
Balthus’s The Cat of La Mediterranee

And, finally, a bouquet from Lila Acheson Wallace’s bequest to the Metropolitan to contribute fresh flower arrangements.

Lila Acheson Wallace floral bequest to the Met
Lila Acheson Wallace floral bequest to the Met