New York Mysteries Aug. 13 — Aug. 17

The Italians have an expression, Autumn begins with August. It’s certainly true about New York.
Returning to NYC from Portland, Or., I walked through Washington Square Park. The piano player was missing but the figure in paint was there. Home at last!

 

Washington Square Performing Artist

Veselka’s is one of my favorite restaurants. It’s boisterous, unpretensious and friendly. Have a sip of watermelon tea.

Veselka’s Watermelon Tea

 

 

 

 

 

 

 

Visionaries: Creating a Modern Guggenheim is a current exhibit at the Guggenheim. Artists Alexander Calder, Marcel Duchamp, Paul Klee, Piet Mondrian, Pablo Picasso and Vasily Kandinsky are among the many artists who are present in the exhibit.

 

 

Brancusi at the Guggenheim

 

 

 

 

 

 

 

The Guggenheim

 

 

 

 

 

 

 

 

Plum on Park

Plum on Park in Montclair, N. J. is located in a historic 1929 street car diner with table and counter seating where friends and I had a tasty lunch.

 

Graphic Lessons: Recent thirty-five-year-old widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man in the school kitchen, deals with the only witness to the stabbing – a troubled nine-year-old, develops a crush on a NYPD detective and her dog dies.

Graphic Lessons: Nine-year-old Dana is the only witness who overhears three people fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore? She tells Millie.

Graphic Lessons: Something’s eating at NYPD Detective Steve Kulchek: a failed marriage? surviving a car bomb? his girlfriend marrying his corrupt boss? screwing up an important case? It doesn’t matter because he’s relentless.

 

New York City Blog — Nov. 13- Nov. 19

Hasn’t it been a rocky week? How many conversations have begin with I don’t want to talk about the election and then you talk about it ad nauseam.

A Facebook friend posted this:
Kakistocracy
PRONUNCIATION:
(kak-i-STOK-ruh-see, kah-ki-)
MEANING:
noun: Government by the least qualified or worst persons.
ETYMOLOGY:
From Greek kakistos (worst), superlative of kakos (bad) + -cracy (rule). Ultimately from the Indo-European root kakka-/kaka- (to defecate), which also gave us poppycock, cacophony, cacology, and cacography. Earliest documented use: 1829.
From my limited Italian I recall that caca is Italian for poop.

Friends and I attended the second session of Studio 5. It  focused on The Creative Forces Behind the Nederlands Dans Theater.

 

NDT Dancers

NDT Dancers

 

 

 

 

 

 

 

 

To the Guggenheim. It’s one of my favorite museums. Most people take the elevator to the top floor and then walk down. I prefer to walk both ways. There isn’t a bad view in the place. The Moholy-Nagy exhibit was a beautifully mounted exhibit. The artist experimented with the innovative materials of the early twentieth century such as plastic. Alice Martin is the current show. At first I thought my lousy eyesight was kicking in. We walked closer to the blank canvases and I finally got it. It’s painting composed of grids and stripes. For me it was like a textile show. That’s one of the joys of the Guggenheim. There’s always the unexpected.

 

From the Met's Jerusalem exhibit: The Archangel Israfil

From the Met’s Jerusalem exhibit: The Archangel Israfil

From there we trotted ten blocks south to the Met. The Met has nerve. The exhibit, Valentin de Boulogne, was presented as Beyond Caravaggio. A more apt name would have been Way Behind Caravaggio. The Jerusalem exhibit was very moving. Wandering among the mounted artifacts of the many cultures that have passed through and being surrounded by the evocative photography of this ancient crossroads is moving and frightening.

 

 

To my shame, I almost skipped the Pierre Gouthière: Virtuoso Gilder at the French Court at the Frick Collection. I didn’t. It’s wonderful. If you want a full rush of what the eighteenth century French privileged classes were buying, often without paying, from superb craftsmen and artists run do not walk to the exhibition. Keep in mind that Gouthière who handled gold all his working life died in poverty.