May 7- May 13
Warning: This is devoted to food and drink. Last week I worked the birthday gig.
Now that we’re in Monsoon season… On Sunday, we had torrential rains for five and a half minutes and then a beautiful sky. A generous friend took me to Felidia, a restaurant that’s part of the Lidia Bastianich’s eatery empire. I battled the rain on Second Avenue and Fifty-eighth Street and arrived at Felicia. It’s like a cavern, narrow and dark. After some lovely prosecco we went into the crowded, small by NYC standards, dining room. The menu is needlessly complicated and fussy. You wade through field, garden and sea offerings in Italian and English. But the pappardelle was the best pasta dish I’ve devoured in a long time.
Last Saturday, a friend treated me to Jack’s 7 Subway walk. What a great idea. You hop on and off the 7 Subway and get a glimpse of what’s happening in Queens. The diversity of cultures is evident in the neighborhood restaurants and businesses.

An Asian grocery store in Queens

 

 

 

 

 

 

 

I met a friend at the Frick for the preview of the portrait medals exhibition, The Pursuit of Immortality. The Garden Court is the perfect place for people gawking. The Frick serves champagne, white wine and sparkling water. No red wine. Stains, you know. We then went around the block to Le Charlot. We sat outside, neither of us feeling much pain after the Frick.

Michael Bodycomb’s photo of medals depicting Josephine Bonaparte, Ferdinand III and Leonello d’Este for the Frick’s exhibit, The Pursuit of Immortality.

 

Rosemary on Greenwich has linguine made with preserved lemon (what’s that?), pickled chili and parmigiana. It’s divine and was a perfect ending to a lovely birthday week-long party.

 

 

 

 

 

 

 

Graphic Lessons: Recent thirty-five-year-old widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man, deals with the only witness to the stabbing – a troubled nine year old, develops a crush on a NYPD detective and her dog dies.

Graphic Lessons: Nine year old Dana is the only witness who overhears three people fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore?

Graphic Lessons: Something’s eating at NYPD Detective Steve Kulchek: a failed marriage? surviving a car bomb? his girlfriend marrying his corrupt boss? screwing up an important case? It doesn’t matter because he’s relentless.

New York City Blog – March 27 – April 2

The Ladies that Lunch Week

A friend was sitting down the block at Rosemary’s on Greenwich Ave. It’s a large restaurant. I was seated at the other end wondering where she was. Finally, a waiter put two and two together and pointed us out to each other. We quickly made up for lost time by ordering a delicious, weird pasta dish – linguine with preserved lemon (what’s that?), pickled chili, and parmigiano. Hasn’t parmigiano joined several other Italian words i. e. ciao, al dente, balsamic that have crept into American lingo? After racing through the linguini in record time and still feeling a bit peckish, I averted my eyes from a hateful brussel sprouts dish and ordered lard, soppressa and homemade focaccia. With the help of a glass or two of white and red, my friend and I mosied down memory lane. it was a delicious lunch.

At the Met a friend and I went dutifully to the Elisabeth Louise Vigée Le Brun exhibit. Le Brun was a survivor. She lived during the turbulent years, 1755-1842, painted for the ill-fated court of Louis the Sixteenth, escaped France with her head, and lived in exile in Austria and Russia. If only we could have appreciated her art. It’s superior candy box, the kind of criticism that is regularly thrown unjustly at Renoir. We then wandered past some Jean-Auguste-Dominique Ingres (1780 -1867). What a difference. He painted, like Le Brun, the aristocracy. He caught their hauteur. And can anyone else paint textiles like Ingres? There’s a painting of a gorgeous, snooty Blessed Virgin worshipping the Host. From the expression on her face, to quote my friend, you wonder if it’s vice versa. The 1775 portrait of Moltedo has the subject clothed in rich, opulent cloth and soft, very strokeable fur. Then, we went in search of one of my favorites, Stuart Davis. At last we uncovered one painting of the Jefferson Market. Once upon a time the Met had an entire room devoted to Davis’s art. Onward to the Islamic Art galleries and the flow and diversity of Arabic calligraphy.  We then headed to the members dining room and feasted on delicious crab cakes and the lovely spring view of Central Park.

Somebody’s got to do it.

Le Brun, Self- Portrait

Le Brun, Self- Portrait

Ingres's Portrait of Joseph-Antoine Molted (1775)

Ingres’s Portrait of Joseph-Antoine Moltedo (1775)

 

 

 

 

 

 

 

 

Edward Snowden  “They frame this false choice between security and privacy. But you can have both … Surveillance isn’t about safety. It’s about power.”