Tag Archives: Philip Glass

New York City Blog — Dec. 5 – Dec. 10.

I never thought I’d describe a musical evening at the Frick Collection as odd. I do after the debut performance of the pianist, Joseph Moog. The musical selections and arrangements suited the late José Iturbi’s very 1940’s movie music. If only the Frick had arranged to have skimpily clad girls rise on a floating fountain and Esther Williams diving off the ceiling. The (un)repentant Magdalena in the next room could have joined in. Afterwards, we had fun and delicious food at nearby Le Charlot.

Lucinda Childs Dance Company is at the Joyce. We went to a thrilling performance of DANCE, first performed in 1979. A film of the original production was flashed on the stage as the modern dancers, like champion race horses, galloped across the stage to Philip Glass’s throbbing music. We were practically part of the action since we were seated in the second row.

Once again down memory lane. This time it was with Merce Cunningham’s Beach Birds (1991). Eleven dancers recreated most of the piece in one of the City Center studios on 56th Street. John Cage’s liquid tone, barely audible, set a dreamy, quiet atmosphere. It was forty minutes of sustained pleasure. Among the superb dancers were Mac Twining and Monica Gonzalez.

GRAPHIC LESSONS: Recent widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man, deals with the only witness to the stabbing, a troubled nine year old, befriends a lying seventeen year old, develops a crush on a NYPD detective and her dog dies.

New York City Blog Feb. 1 – Feb. 8

Wasn’t the Super Bowl fun? I like football because it’s so American and so politically incorrect. But what’s happened to the cheerleaders? In the old days they were pretty, bouncy, sexy girls. Now, they look as if they take gymnastics very seriously.

I chose a day when the temperature hovered around eleven degrees to go to the Barbara Mathes Gallery to see Rakuko Naito’s paper work.The gallery is a townhouse that has the secure features of a vault, It also has the hushed, immaculate, tony atmosphere that makes you lower your voice. Then on to the Lauder Cubism exhibit at the Met. Picasso, Braque, Gris. Léger are artists in the collection. Cubism grabbed me as a child when I’d wander through MOMA and stand in front of Picasso’s Three Musicians.

Fernand Léger"s The Typographer
Fernand Léger”s The Typographer

NYCB’s Glass Pieces with music by Philip Glass and choreography by Jerome Robbins was the best piece of an afternoon performance. My head was still filled with the images of cubism so I imagined I saw it in Glass Pieces. This is the first time I’ve appreciated Philip Glass. Choreography complements his music.