Tag Archives: Merce Cunningham

March 17 – March 24

Busy week.

Starting with St. Patrick’s Day and ending with the Morgan Library & Museum’s Now and Forever: the Art of Medieval Time where I learned that St. Patrick’s Day like Christmas harkens back to the middle ages when fixing a holiday on a specific date was done to keep track of time.

Now and Forever: The Art of Medieval Time


Now and Forever: The Art Medieval Time








A memorial in New Jersey was followed by a birthday dance at the Joyce. The Stephen Petronio Company celebrates choreographers of the past. Tuesday was Merce Cunningham night. Petronio scored. Reverence for the past did not rob his pieces of their freshness and sexiness. The Butcher’s Daughter on Hudson is vegan, in spite of the name. I dote on their breakfast menu, especially soft boiled eggs and soldiers. Don’t tell me you don’t know what soldiers are.
A friend and I drifted across the Morgan corridor from the medieval to the modern. We went to the Peter Hujar: Speed of Life. Hujar was one of the many AIDS victims who died in the eighties. For me there’s a sadness that hangs over the exhibit of a very young, very talented photographer.

Peter Hujar: Speed of Life
Peter Hujar: Speed of Life








Graphic Lessons: Recent thirty-five-year-old widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man in the school kitchen, deals with the only witness to the stabbing – a troubled nine-year-old, develops a crush on a NYPD detective and her dog dies.

Graphic Lessons: Nine-year-old Dana is the only witness who overhears a person fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore? She tells Millie.

Graphic Lessons: Something’s eating at NYPD Detective Steve Kulchek: a failed marriage? surviving a car bomb? his girlfriend marrying his corrupt boss? screwing up an important case? It doesn’t matter because he’s relentless.