Tag Archives: Maya Amir

NYMysteries – April 20

Joyce DiDonato Master Classes Part 2  My friend and I had attended the Friday session. There was a soprano, Alexandra Nowakowski and a mezzo-soprano, Maya Amir, one countertenor, Keymon W. Murrah and one tenor, Aaron Crouch. They would not have been chosen for the Master Classes if they hadn’t had wonderful voices. Joyce DiDonato was very level headed and articulate about the tough and rewarding profession they’re pursuing. She nailed their individual foibles. One of the sopranos thought too much. One of the tenors was told that the last thing the world needed was an opera singer. What is needed is someone who interprets every part individually. We returned for the final session Sunday. It was thrilling to witness the confidence the artists had gained.  People flew in for the Master Classes. We sat with a German woman who tracked previous singers. Earlier, a woman from Quebec told me that she followed DiDonato. The singers were accompanied by the gifted pianists Justina Lee and Shannon McGinnis .

Joyce DiDonato Master Classes 2019: Justina Lee, Shannon McGinnis, Keymon W. Murrah, Alexandra Nowakowski, Maya Amir, Aaron Crouch, Joyce DiDonato

 

 

 

 

 

 

I received a blackmailing scam email earlier that day and was on paranoid alert. What an invasion of privacy!  My computer guy calmed me down. He’d heard it all before. I did not reply or answer the email. A picture was attached, supposedly of me whiling away the time watching porn. 

 

Rev. Micah Busey posted the following on Facebook: 

Reminder to Christians that Holy Week is actually about the government-sanctioned assassination of a queer migrant organizer, the collective trauma and resilience of an activist community on the margins, and the triumph of communal, cooperative, hopeful, resistant, persistent, radical love over racist, hateful, fear-filled empire.

Resurrection always was and still is political.

So there! A very Happy Easter and Passover!

 

 

Graphic Lessons: What do a thirty-four-year old, a nine-year-old and an eighteen-year-old have in common? Murder. 

Millie Fitzgerald applies for a private school teaching job, faints on a  dying man in the school kitchen, deals with a troubled nine-year-old and with the eighteen-year-old niece of the murdered man.

Graphic Lessons: Nine-year-old Dana is the only witness who overhears a person fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore? She tells Millie. 

Graphic Lessons: NYPD Detective Steve Kulchek is assigned the murder case at the prestigious Windsor School. What’s bugging him? His partner being stabbed ? His hated boss, Captain Dick Holbrook, being a trustee of the Windsor School?  Losing his girlfriend to Holbrook? 

NYMysteries – April 13

 I saw Francesco Rosi’s 1975 film at the Film Forum. It’s four hours long. A friend warned me to eat ahead of time. The film is based on Carlo Levi’s 1945 memoir about his one year exile, Christ Stopped at Eboli. The setting is Basilicata, a region in the Italian boot tucked between Puglia, Campagna and Calabria. The title suggests that nothing – hope, prosperity, fairness – goes beyond Eboli, the last train station in Basilicata.  The film director was the esteemed Ruggero Mastroianni, brother of Marcello. The film reminded me of Roberto Rossellini’s Stromboli (1950) and of Franco Brusati’s Bread and Chocolate (1975). The three films shine an unwavering light on Italian foibles.If only the U. S. A. and Israel had the Italian ability to examine their characteristics with a critical eye. 

I sat in a row in the middle of the theater. Staring at me from the  back of seat, second one from the aisle,  was a plaque dedicated to Elia Kazan. 

 

Elia Kazan’s plaque at the Film Forum

 

 

 

 

 

 

 

Ever have this happen with a friend? You’re convinced you gave her the tickets and she’s convinced you didn’t? That’s what happened  to our tickets for Joyce DiDonato’s Master Classes on Friday and Sunday. Who came to the rescue? Carnegie Hall! I called their help number and got help. I was instructed to show up at the box office with my printed-out tickets. I did. The clerk looked at my ticket. Unlike me, he could read. He pointed out very politely that I had two tickets, front to back for both Friday and Sunday. I met my friend in line. She was feeling guilty about having lost her tickets. And I was tempted. Yes, tempted to let her stew. What the hell, I told her I’d been a dope and case solved. We stood in line, jammed ourselves into a tiny elevator to the 10th floor. Raced gracefully into the enormous room decked with two funereal bunches of flowers and grabbed two perfect seats in the second row center. The magic began. Joyce DiDonato entered with four accomplished singers. She manhandled them one by one. Alexandra Nowakowski, soprano, Maya Amir, mezzo-soprano, Keymon W. Murrah, countertenor and Aaron Crouch, tenor. They trusted her. We trusted her. It was two hours of rich, professional advice coupled with affection and respect. Talk about living in the moment. I love everything about opera except opera.

Joyce DiDonato
April 12. 2019
Maya Amir
Aaron Crouch, Tenor
Keymon W. Murrah, Countertenor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Graphic Lessons: What do a thirty-four-year old, a nine-year-old and an eighteen-year-old have in common? Murder. 

Millie Fitzgerald applies for a private school teaching job, faints on a  dying man in the school kitchen, deals with a troubled nine-year-old and with the eighteen-year-old niece of the murdered man.

Graphic Lessons: Nine-year-old Dana is the only witness who overhears a person fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore? She tells Millie. 

Graphic Lessons: NYPD Detective Steve Kulchek is assigned the murder case at the prestigious Windsor School. What’s bugging him? His partner being stabbed ? His hated boss, Captain Dick Holbrook, being a trustee of the Windsor School?  Losing his girlfriend to Holbrook?