Tag Archives: Liane Moriarty’s Big Little Lies

New York City Blog — March 26 – April 1

Have you ever gone back to a neighborhood you haven’t been in for years and feel as if you’re in a foreign land? I went to West Broadway a few days ago. How dare they change the hood without my permission. It used to be industrial with hamburger joints on every corner. Now, it’s packed with sleek tearooms that favor kale, green tea and Italian words. I ducked into Sanctuary, how appropriate, and had a canoe like sandwich called smoked salmon crostino. Then on to Whitney Houston Biennial: Greatest Love of All, a vibrant women’s biennial – over 150 women strong.

2017 Whitney Houston Biennial: Greatest Love of All

Have you watched the HBO adaptation of Liane Moriarty’s Big Little Lies? The book is set in Australia and the children attend a Catholic school. In the HBO version, it’s been moved to California and the school is non-sectarian. The book has a delicious familiar yet exotic quality. The HBO version is one hundred percent American and therefore predictable. Terrific cast. Reese Witherspoon brings to life perfectly the fiesty Madeline. She also uses the word, fuck, continuously. Fascinating to hear the inclusion of a word that was forbidden or used sparingly or used as an example of how not to express yourself. I’m sorry that fuck has lost its virginity.

To the Frick Collection for one of its intimate posh concerts. The baritone, Christopher Purves, was making his New York recital debut and he was accompanied by Simon Lepper. We were treated to selections from Handel’s operas: Agrippina, Acis and Galatea as well as Schubert and Mussorgsky. The Frick mails the tickets to each concert. No e-mail. No mass mailings. You keep an eye out for that small cream envelope that arrives religiously on time. The Frick includes a potted art appreciation paragraph about various museum objects that have a similar background as the music being presented. Since this concert included sections of pastoral opera, we were directed to the Fragonard Room’s pastoral scenes.
COMING SOON:

Graphic Lessons: Recent widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man, deals with the only witness to the stabbing – a troubled nine year old, develops a crush on a NYPD detective and her dog dies.

Graphic Lessons: NYPD Detective Steve Kulchek: something’s eating at him: a failed marriage? surviving a car bomb? his girlfriend marrying his corrupt boss? screwing up an important case?

Graphic Lessons: Nine year old Dana is the only witness who overhears three people fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore?