Tag Archives: Juilliard Jazz Orchestra

April 1 – April 7

 When attending Studio 5, my friend and I have a ritual: early supper in a Thai restaurant on 58th Street, jaywalking across the street into one of the City Center buildings and taking the ornate elevator to the fifth floor to a well lit rehearsal room surrounded on three sides of folding chairs. The early birds grab the center section. We sit on the stage right side. Studio 5 was invented by Damian Woetzel who is now the seventh president of Juilliard. The president has left the premises but he’s been succeeded by other ballet luminaries. This evening Kate Lydon, the Artistic Director of ABT Studio Company, moderated American Ballet Theatre: From Trainee to Luminary.  The average age of the dancers was nineteen. They discussed where they came from, what it was like training and living in ABT housing but the focus of the evening was when they danced. We were treated to excerpts from Giselle, William Tell and Le Jeune. So backstage, so NYC. 

 

 

Studio 5 ABT Dancers
Studio 5 ABT Dancer
Studio 5 ABT Dancers
Studio 5 ABT Dancers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The next evening we went to Juilliard Jazz. Wynton Marsalis introduced A Tribute to Blue Note Records. In the playbill, there was a short interview with Conductor Marsalis in which he stressed the importance of jazz’s history for musicians and named some of the Blue Note musicians with whom he’d played: . Juilliard Jazz played nine pieces including Woody Shaw’s The Moontrane and Dexter Gordon’s Ernie’s Tune. The evening ended with Wayne Shorter’s Free for All with a tremendous drum solo.  

Juilliard Jazz
Juilliard Jazz
Juilliard Jazz
Juilliard Jazz
Juilliard Jazz

 

 

 

 

 

 

 

Graphic Lessons: Recent thirty-five-year-old widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man in the school kitchen, deals with the only witness to the stabbing – a troubled nine-year-old, develops a crush on a NYPD detective and her dog dies.

Graphic Lessons: Nine-year-old Dana is the only witness who overhears a person fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore? She tells Millie. 

Graphic Lessons: Something’s eating at NYPD Detective Steve Kulchek: a failed marriage? surviving a car bomb? his girlfriend marrying his corrupt boss? screwing up an important case?  It doesn’t matter because he’s relentless.

February 4 – February 10

The perfect restaurant: Gene’s on 11th Street. Imagine a place that has the serenity of soft lighting, no music and perfect, unobtrusive service by trained waiters. Gene’s has been around a long time. I wouldn’t be surprised to find Shirley MacLaine and Jack Lemon at one of the side tables.

I didn’t make it to Third Street Music School to meet Carlina Rivera. My bad! Carlina Rivera is the councilwoman for the second district of the New York City Council. GVSHP, The Greenwich Village Society for Historic Preservation, sponsored a recent meet and greet with Rivera. She supports protecting historic districts. Go, Rivera!

Instead, I scooted down the street to Second Avenue and Second Street To Anthology Film Archives to attend OBSERVING THE AVANT-GARDE: PETER MOORE & THE 1960s: A SLIDE LECTURE BY BARBARA MOORE. Judson Dance  was featured.  Lots of performances on stage and off were photographed by Peter Moore. Anthology Film Archives is devoted to left wing causes across the globe. It was the perfect place to see turbulent scenes from the 1960s. Afterwards, the Judson gang went to Huertas on First Avenue for great tapas.

A friend and I slept through Phantom Plot. I mean Phantom Thread.

Juilliard Jazz Orchestra gave a short (50 minutes) but vibrant performance honoring Mary Lou Williams.

Friday evening we sat in the nineteenth century parlor of the Merchant’s House, interested and a little anxious to be cast under the spell of mentalist Kent Axell. He explained that the Tredwells, the original owners of the house, might have explored psychic events. Spiritualism, the belief that the living can talk to the dead, was a popular form of parlor entertainment. Axell was energetic, involved the audience and performed some eerily accurate stunts such as answering sealed questions and reading minds. He has a big personality and advertises himself on his website as “Liar for Hire”. The evening was lots of fun.

 

Juilliard Jazz Orchestra honoring Mary Lou Williams

 

 

 

 

 

Graphic Lessons: Recent thirty-five-year-old widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man in the school kitchen, deals with the only witness to the stabbing – a troubled nine-year-old, develops a crush on a NYPD detective and her dog dies.

Graphic Lessons: Nine-year-old Dana is the only witness who overhears a person fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore? She tells Millie.

Graphic Lessons: Something’s eating at NYPD Detective Steve Kulchek: a failed marriage? surviving a car bomb? his girlfriend marrying his corrupt boss? screwing up an important case? It doesn’t matter because he’s relentless.