Dancing Chicken, Crying Tiger, Swimming Duck. I bet you thought I’d spent the day at the Bronx Zoo. Instead, I spent an air conditioned hour in Topaz, a Thai restaurant, across 56th St. from City Center’s Studio 5. The first session of Studio 5 concentrated on ABT – Coaching Principal Roles. It was moderated by Kevin McKenzie, the artistic director of American Ballet Theatre. He coached Alban Lendorf and Devon Teuscher in roles they’ll be performing for the first time. McKenzie concentrated on Prokofiev’s Romeo and Juliet. Watching a master teaching new dancers is a thrilling, backstage experience and one of the reasons Studio 5 sells out quickly.
Russian champagne was served at my hairdresser’s to celebrate a birthday. It’s near Coney Island and run by Russians. There’s a small, noisy Italian contingent. Great fun slurping Russian champagne and trying not to eat cheese cake on the first day of fall weather.
Graphic Lessons: Recent thirty-five-year-old widow Millie Fitzgerald applies for a private school teaching job, faints on a stabbed and dying man in the school kitchen, deals with the only witness to the stabbing – a troubled nine-year-old, develops a crush on a NYPD detective and her dog dies.
Graphic Lessons: Nine-year-old Dana is the only witness who overhears three people fighting with George Lopez, the soon to be stabbed Windsor School kitchen worker. Who can she tell? Her mother who never listens or accuses her of lying? Her father who’s started a new family in Singapore? She tells Millie.
Graphic Lessons: Something’s eating at NYPD Detective Steve Kulchek: a failed marriage? surviving a car bomb? his girlfriend marrying his corrupt boss? screwing up an important case? It doesn’t matter because he’s relentless.